Author Archives: dipankardasgupta

Dipankar Dasgupta received his early education in Calcutta (now called Kolkata), India and moved on to the University of Rochester, NY, USA, where he was awarded a PhD degree in Economics. He did most of his academic research and teaching in the Delhi and Kolkata campuses of the Indian Statistical Institute, from where he retired in August, 2006 as Professor of Economics. He has also taught and researched in visiting capacities as well as a regular faculty member in different universities in Canada, Hong Kong, Japan and the USA.

His interests vary from Economic Theory to creative literature and vocal music. He writes stories, memoirs and poems in English and Bengali and sings semi-classical music, mostly in Bengali. He is also interested in foreign languages, Japanese being his favorite. He writes for the printed media and is a regular TV commentator on subjects of socio-economic interest. Dipankar and his wife, Sankari, live in Kolkata, India. Their son, Utteeyo, teaches Economics at the Franklin and Marshall College in Pennsylvania, USA. Utteeyo's wife, Subha Mani, teaches Economics at Fordham University, New York City.

Professor Joseph Stiglitz Speaks on West Bengal’s Problems

The following links cover a twenty minute interview of Professor Joseph Stiglitz, who won the Nobel Prize in Economics in 2001. Professor Stiglitz expresses his opinions on different issues concerning the Indian Economy. The interview was conducted by Dipankar Dasgupta, Former Professor of Economics, Indian Statistical Institute. Stiglitz Interview — Part 1 — around 9 [...]

In the Midst of Darkness, Light Survives …

While the problem of rural electrification continues to baffle us, a silent progress has been taking place in different parts of India and, in particular, in West Bengal. Before I reveal to you what the nature of this progress is, here are some district wise details concerning the state of electrification of rural households in West Bengal.

Sri Sambhu Mitra — Review of a Stage Production

One cannot quite ignore the Greeks when discussing Sambhu Mitra and that not merely on account of his immortal production of Oedipus Rex (Raja Oyedipaus). Every now and then the Greek notion of Fate keeps rearing up its head in the play Sri Sambhu Mitra as well. The play is all about an uncompromising pursuit of purity and perfection sitting in a world where vulgarity rules the roost. Ultimately, it is Fate that decides how much one must succumb to pressures that lead a person astray.

Exchange

This replacement has brought you …

Intriguing Silence — A Haiku

Coy beginning …

The Illusion Tree (Mayatoru)

There happened to be a tree
Throwing up its arms,
As soon as the eve arrived,
It danced in ghostly spree.

Surrender (Samarpan)

Over the river, the rains are falling
The waters have risen in a tide
Like hopes one keeps concealed …

Eulogy to a Frank-fart-er

Have you ever come across a frank-FART-er? I always thought that the being was extinct. Indeed, if it did exist today, it would surely have qualified as the eighth wonder of our planet, don’t you think? Wait though my son, wait. It seems now that you and I, as well as other specimens of humanity whose footsteps have been guiding us, were utterly wrong in our convictions. Frank-FART-ers exist in profusion, or so at least the menus of a delicatessen or two are advertising in Kolkata. In large letters, capitalized that is. At the very entrance of the shops. You can’t miss them.

Come to think of it though, most of us might have been exposed to a somewhat lesser variety of the species, frank-FART-ers minus the boldness of it carried by the first five letters. They exist and perform with gay abandon in night trains as well as crowded buses, as evidenced by the diverse range of noises one’s ears are exposed to every now and then.

Metamorphosis a la Vyasdeva

There was a pious King called Vangasvana. He was childless and performed the Agnishtuta Yajna to please God Agni and the latter, having been amply appeased, granted not one, not two, not even three, but a hundred sons (mind you, no daughters) to the Rajarshi.

Now, it so happened that the Yajna in question was directed towards satisfying Lord Agni alone. And this fact pissed off no less a God than Indra himself. He was mad as hell. (See how mean and envious these Gods were? Always counting curses! So, to take it out on poor Vangasvana, he created a magic spell and made the chap lose his way. He was tired as hell and landed near a lake.

Ardhanarisvara — A Mobile Fantasy

It was around 8 PM in the evening I think when I tiptoed into the bedroom and sat quietly on the bed next to my wife. She was half reclining on pillows watching a movie on the TV. I didn’t wish to make a noisy entry, because she loves her movies and doesn’t want to be disturbed when she digests her staple diet. She didn’t notice me more than she notices a piece of furniture that’s long ceased to be functional, but cannot be disposed of in the absence of a willing buyer. It can be gifted away free of charge of course, but I do not know if she has begun entertaining such thoughts yet.

So, as I said, we sat next to one another, an idyllic picture of peaceful coexistence. She watching the TV and I striking a pose which, even if it reminds you of your grandfather’s termite ridden book-shelf, I would like to compare with Rodin’s Thinker.

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